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Videoing Education Of The Girl Child

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 Videoing 'Education Of The Girl Child'  The Education Of A Camera Crew.

This was one of the few occassions in the Blackie's history when we set out to produce a video of a performance by a visiting artist. The performance was by Meredith Monk as part of her 1972 visit.

The  following was written for 7UP by Dave Ward and since it was written close to the time, it is as good a description as one is likely to get.

Hours of camera practice in the early hours of the morning – slowly angling, turning, raising, lowering the camera – helped solve some of the problems confronting Sally Morris, Wendy Harpe and Judy Bates (now Gough) when they recorded Education of the Girlchild for Blackie TV in June 1972.

Meredith Monk, creator and performer of this one-woman opera gave a single performance for an audience of 120 on 9 June in the Blackie – and later gave 5 more performances for the 3-woman TV crew.

The crew, with Chris Furby on microphone, set out to make a TV recording in which the camera would frame the piece as naturally as the human eye – following the Girl Child, dressed in white lace pantaloons and an embroidered bodice, down the path of white cloth, which spilled out from the pulpit and across the floor of the old Main Auditorium. The apparently simple plan – to make a single sustained recording from one slowly moving camera over the 30 minutes of the performance – proved as difficult to achieve as most simple plans are.

The Girl Child slowly and meticulously made her journey – moaning, bleating, sighing, wailing, crooning, to a piano, accompaniment... head, hands, and feet tracing delicate patterns in space around her ... slowly discarding in turn her wig, her spectacles, her apron, and her hair-pins to sit at the end of the journey with her long dark hair tumbling over her shoulders. And the 3-woman crew made their journey – one precisely and gently adjusting the camera... the others crawling on hands and feet as they inched the camera’s wheeled tripod backwards, sideways, over uneven floorboards, and up and down steps.

For the 3-woman crew it was an education in itself.  Sally Morris who worked the camera said “The physical experience of making the tape took us deeper into the work, as we studied and analysed it, than if we had been in the audience. I’ve looked at television programmes all my life but it was only after using a camera myself that I began to see them.”

 

Mdeline slovenz lays down the white riverMeredith and Wendy Harpe read reviews whilst peole set up for the videoingJude and sally watching performance prior to videoing

Madeline Slovenz lays down the white river prior to videoing,Wendy Harpe & Meredith read reviews whilst people set up for videoing and Judy and Sal watch a performance prior to videoing

Jude prepares the creditsSally Morris on camera

Judy prepares the credits,  Sal practises on the camera

Sal and Jude setting up the videoJohn Steadman and Chris furby setting up the lights for the videoing

Sal & Judy check the equipment, John Steadman & Chris Furby (who did the sound recording) set up for videoing.

 

 

 

 

 

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